New year, new website - all in anticipation of two books coming out this spring:

 

orchardukcover OrchardUScover   RIMHUKcover  RIMHUScover

(I have to show all the covers or the different publishers get upset!)

Have a look around, as some things have changed. In ABOUT ME, you can find out what color ink I prefer. And EVENTS: there will be a lot of them this year! Keep checking back for new details.

Happy New Year!

Today was an important day for me. For the first time I got to taste an apple that features in my forthcoming novel, At the Edge of the Orchard. The Pitmaston Pineapple is an old and rare English variety, and hard to find. While writing it I had to describe the apple's taste by basing it on other people's descriptions. Today, at last, a bowlful of Pitmaston Pineapples arrived, courtesy of Matthew Thomas and Nick Dunn at Frank P Matthews Trees for Life in Worcestershire. Thanks, guys!

Here I am, worshipping my apples:

Today I was looking for a photo to show my publishers about 19th-century boys' hairstyles, and came upon a photo that basically IS my main character. Funny, this happened when I was working on The Last Runaway too. Robert Goodenough, meet Honor Bright.

CivilWarboycropped HonorBrightphoto

 















He has what they call a thousand-yard stare. In real life he was a young Confederate soldier, who had clearly seen too much for his age. (Many thanks to The Civil War Parlor on tumblr for this image.) We don't know anything about her. I wish we did.

 

 

Happy New Year, All!

Yesterday was tumultuous for me. I have agreed to give papers relating to my novels to Oberlin College in Ohio, where I got my BA (and where The Last Runaway is set). The Library Archives will sort them a couple at a time, and I boxed up Remarkable Creatures and Girl with a Pearl Earring and sent them off yesterday with FedEx. As I write the papers are in the sky somewhere over the Atlantic.

It was odd to compare the notebooks. For Pearl Earring in 1998 I took notes in a small orange notebook which I only half filled. It's surprising how early on (p.4 of notes) I knew exactly what the story would be, and researched just what I needed - no more, no less. There's not a lot to look at. (Plus I threw away all my drafts!) However, what is there is condensed, precise - rather like a Vermeer painting. Compare that to Remarkable Creatures written 2008-09, where I have two full notebooks and loads of drafts and papers. That didn't make the book or the process of writing any better, though. Now I long for those charmed Pearl Earring days when everything was pared down and I knew what I was doing.

It was very painful giving up the orange notebook to the FedEx man. Now when I want to hold it I'll have to go to Oberlin and put in a request, just like everyone else. It's great for you, but I have lost a part of me. To celebrate/commemorate that notebook, here are few photos.

I have been terrible at keeping in touch here, for which my apologies. Sometimes the novel just takes over - which for a writer is what's meant to happen. You should see my neglected in-trays, both physical and email. Shocking.

However, I am relieved to report that today (December 19th) I wrote the last sentences of the first draft of my new novel. For the first time ever I wrote a novel slightly out of sequence - normally I write beginning to end, straight through. So these sentences come about 3/4 through the book. They are:

Go on now. Go. Go.

So he went. And I did too.

Want to see where he went? Here!